Summer of the Seventeenth Doll In the s Australia was in the midst of an economic boom. Robert Menzies was Prime Minister and the post war immigration programme was slowly challenging the idea of Australia as a solely Anglo country. Questions were being raised about the nature of Australian identity.
Set in an Australian house. Populated by Australian people. Until then, Australian plays had largely tended towards the quaintly rural, the fraudulently British and the apologetically small in scope. Australian plays were tolerated, indulged, or taken as medicine.
Aside from the communist radicals who thought that theatre could be used as a social weapon, no one took Australian plays very seriously.
In scope and energy it was closer to Tennessee Williams than to the pitter-patter of reproduction drawing-room comedies or the moderately operatic scale of the drama coming from European theatre. The author, director and cast need not have worried. They had a play on their hands that chimed with what Tennessee Williams had done in the American theatre: When I asked Ray Lawler why there had never been a musical made of the play, he said that no one had approached him with the right ideas.
Operatic conventions dismayed him as they might apply to this small Carlton terrace. He awaited someone who might bring the sensibility ofPorgy and Bess. A folk opera, he thought, might fit the bill. This perfect arrangement — independence for some of the year and a swirl of romance and heightened eroticism for the rest — sets her up for a dreadful and inevitable fall.
If not, then why is she here, with her packed bag and her knowledge that the lay-off with Roo and Barney involves a lot more than trips to Luna Park? She is only here because Nancy, her predecessor at the pub and in the Carlton house, has betrayed the idyll in the most terrible way: Nancy had seen the writing on the wall.
This was going to be, after all, the seventeenth summer. How long could the party go on with age creeping up and the sun dimming on passion and bodies?
Summer of the Seventeenth Doll is, among other things, a play about the search for an alternative to marriage. It is also a terrible punishment for that search. It tells us that we will be crushed for the self-delusion that such a search involves.
In this way, is the play inherently conservative? Has Ray Lawler, like Tennessee Williams with Blanche Dubois and Amanda Wingfield, shown us a magnificent fragile dream in order to destroy it and teach us a lesson?
By the end of the play it is hard to imagine any kind of future for Olive, the spirited and determined centre of the action. Time has destroyed her dream, and in refusing to believe the dream would ever end, she has put no insurance aside.
Accepted as sweet tokens of young love, these candy stick dolls take on an increasingly garish quality. This is not exuberance. Hope promised and now gathering dust. And though the play begins in wonderfully skittish hope and anticipation, the men are in trouble, too. Roo, the champion of the cane-cutting gang, has had his physical dominance challenged for the first time.
A time bomb, called Johnny Dowd, has come along and almost unwittingly shown the older man up.
Summer of the Seventeenth Doll. In the s Australia was in the midst of an economic boom. Robert Menzies was Prime Minister and the post war immigration programme was slowly challenging the idea of Australia as a solely Anglo country. Mar 18, · Sugar cane cutters Ernest Borgnine and John Mills take Kewpie doll collector Anne Baxter and manicurist Angela Lansbury to South Australia to rest up and look for holiday work--but trouble brews with Borgnine, who has mysteriously left his job after fifteen years.6/10(). Summer of the Seventeenth Doll by Ray Lawler shows realistic characters rebelling and accepting idea of marriage and change, while Summer Heights High directed by Chris Lilley emphasises social status and change through a stereotypical private school girl.
If this was a game of AFL, Johnny Dowd would be the naturally talented goal kicker who mistakenly made the current champion look inept. Not in this play. There is a humble beauty now in the way great football players realise the end of their careers and become coaches.Related Documents: Essay about Summer of the Seventeenth Doll BARBIE DOLL Essay Xueying jia Professor Virgil English B 05 April “Barbie Doll” a story of girls growing The main character of Marge Piercy’s “Barbie Doll” is a normal girl.
Olive picks up the seventeenth doll and insists that while the other dolls are pretty, this one is beautiful. When Olive leaves, Emma talks to Roo and offers him a loan. Roo refuses. The play "Summer of the Seventeenth Doll" was written by Ray Lawler in the 's which was a time of crucial development within Australia.
The play is written in colloquial English and is very Australian. Summer of the Seventeenth Doll. In the s Australia was in the midst of an economic boom. Robert Menzies was Prime Minister and the post war immigration programme was slowly challenging the idea of Australia as a solely Anglo country.
However, this summer is different to the summers that came before; it is full of tensions, strains to recreate lost youth, as they struggle to recapture the magic of the past. A play about passion, expectations and disappointment, Summer of the Seventeenth Doll tells how life’s illusions — both public and private — inevitably shatter.
Jun 15, · Summer of The Seventeenth Doll, despite its stage directions, is not really set in Carlton. Its heart is in Footscray, the place where Ray Lawler grew up. Its heart is in Footscray, the place where Ray Lawler grew up/5(4).